Do not attempt to play along with the record immediately. Use YouTube's playback speed setting or a slow-downer tool to learn the phrases at 50% speed.
Bridge: e|---------5-----7-----8-----| B|-----7-----5-----7-----5---| G|---7-----5-----7-----5-----| D|-5-----7-----5-----7-----5-| A|--------------------------------| E|--------------------------------|
If the “13 - NEW” version refers to a specific live or alternate take (e.g., 1965 – Smokin’ at the Half Note ), you can transcribe it yourself: Wes Montgomery Caravan Guitar Tab Pdf 13 -NEW
Many old tabs try to play Wes’s lines on one string to make tabbing easier. Wes actually shifted positions constantly to utilize the tone of different strings. The likely includes position markers (Roman numerals) telling you to shift up to the 12th fret for the high passages.
If you are writing an :
A high-quality jazz tab does more than show you where to place your fingers; it preserves the specific nuances of the artist's style. When working through this transcription, look for these specific indicators: 1. The Single-Note Lines
If you want, I can:
| Section | Content | |---------|---------| | | Wes Montgomery’s impact; “Caravan” (Duke Ellington/Juan Tizol) as a jazz standard | | Recording details | Album: Smokin’ at the Half Note (1965) with Wynton Kelly Trio | | Tonal & technical analysis | Use of thumb, octaves, single-nine lines, block chords | | Section-by-section tab breakdown | Head (octaves) → solo (single-note) → shout chorus (block chords) | | Challenges & practice tips | Speed, swing feel, thumb muting, chord voicings | | Conclusion | Why this version is a milestone in jazz guitar | | Appendix | Your own transcription (2–3 pages of tab/notation) – not copied from a commercial PDF |
Don't try to play the whole song at once. Focus on grasping the four-bar and two-bar phrases. Memorize the block-chord shapes before attempting to play them up to tempo. Do not attempt to play along with the record immediately